This is the opening of Bach’s cantata for the Fourth Sunday in Advent (BWV 132). The video shows Bach’s own score. I love that it takes up to ten measures to sing the word Bahn—that’s like 85 notes. The road that John the Baptist comes to prepare seems to be a long and bumpy one.
This is the week that I listen to Bach’s Cantata 140 “Wachet auf” in preparation for the last Sunday in the church year. There are so many things that I love about this cantata and the hymn on which it is based. Here’s just one.
There are two soprano-bass arias. As Bach tends to do, the bass is the Vox Christi, the voice of Christ, and the soprano is the voice of the Christian soul (or perhaps the church). In the first of these, it is the bride who asks the bridegroom “when are you coming?” His response is “I’m coming.” Then she sings, “Come, Jesus.” Again, he replies, “I’m coming.”
Isn’t that just the way it is with Jesus and his bride? She keeps on asking, because life in this world—waiting for him—is hard, and she wants nothing more than to see him and be with him, and because she loves him.
His response is always the same. His word and promise never change. But it’s comforting to hear his promise from his voice.
And the amazing thing about this piece of music—it makes me cling to the voice of Christ all the more.